With the rapid development of contemporary society, the diversification of architectural forms is increasing day by day. As an integral component of architectural art, murals play an indispensable role in enhancing the aesthetic appeal of urban architecture, elevating visual impact, and enriching traditional architectural decoration styles. In large part, modern mural artists focus their creations on specific building planes or curved surfaces while striving for seamless integration between mural design and architectural spaces. However, research on the relationship between architectural space form and mural design often remains limited to partial expressions with few studies exploring multi-dimensional external building murals. The multifaceted relationship between frescoes and architecture highlights that fresco itself is a spatial art form. This paper primarily examines the wall murals at Luo Zhongli Art Museum to study their interface with architectural spaces, analyzing various conversion forms, methods, and unique characteristics of these interfaces.
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Pan Kai (2024) studied this question.
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