This article examines how robots as mediating artifacts improve human-robot interaction, suggesting new design approaches.
This article explores the emerging materialities of mediating artifacts in the field of Human-Robot Interaction (HRI). Drawing on the evolution of documentary environments and the growing hybridization of digital and physical spaces, it extends documentary and communication theories to robots taking into account their socio-technical dimension and their info-communicational implications for human interactions. It posits that examining the robot as a mediating artefact of a documentary nature can enhance both the understanding and the design of collaborative logic in HRI. Using Manuel Zacklad's theoretical framework, Documents for Action (DoPA), the research conceptualizes the robot as a semiotic and mediating document integrated into collective and collaborative practices. It analyzes robots-“dispositifs” through three interdependent processes—documentarization, editorialization, and redocumentarization—and offers initial reflections on the design of information and communication dispositifs that include mediating artifacts of a new complexity, as well as on the evolution of the theoretical apparatus.
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Payeur et al. (2025) studied this question.
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