Examines constructs of the lesbian subject in relation to time and space in literature, suggesting new interpretations of identity.
This paper invokes Mikhail Bakhtin's concept of the chronotope to propose what I call the "chronotope of Lesbos," the origins of which are found in ancient lyric poetry and formalized in nineteenth-century decadent literature. I examine the characteristics of the chronotope through the example of Pierre Louÿs's Les Chansons de Bilitis (1894)—which traces the life of Bilitis, a fictional contemporary and pupil of Sappho—arguing that Lesbos is characterized by abstract time and othered space. After establishing that the lesbian subject is the product of this space-time relationship, I consider how the chronotope constructs a particular image of the lesbian subject within and in relation to modernity.
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Emily Waller Singeisen (2026) studied this question.
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