This analysis explores themes in Hokusai’s work, highlighting influences from the Rinpa school on his compositions and colors.
Scholars have often noted the influence of foreign cultures on the colors and composition of Thirty-six Views of Mt. Fuji (Fugaku sanjūrokkei 冨嶽三十六景), the masterpiece of the Edo period ukiyo-e artist Katsushika Hokusai 葛飾北斎 (1760–1849). In this paper, I delve into the themes and motifs of the series, arguing that Hokusai's creation was informed by his familiarity with yamato-e やまと絵 gained through his involvement with the Rinpa 琳派 school.
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Fujisawa et al. (2024) studied this question.
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