A Study on the Evolution of Chinese Tourism Performance and Spatial Aesthetics: Focusing on the Works of Wang Chaoge

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Key Points

The aim is to analyze the evolution of Chinese tourism performances through the lens of spatial aesthetics over the past 20 years.
Utilized theoretical frameworks from Lefebvre's spatial production theory, Tuan's place attachment theory, and Schechner's environmental theater concept.
Conducted a comparative analysis of key works by Wang Chaoge, including 'Impression·Dahongpo', 'Wugyan·Pingyao', and 'Ziyou·Hanan'.
Analyzed the impact of spatial structure and audience experience on performance aesthetics.
Wang Chaoge's performances evolved from nature-based to urban memory experiences and immersive spatial dramas.
The analysis revealed a significant shift in how performances engage with audience choice and movement.
Identified common features of Chinese tourism performances as cultural content with strong spatial aesthetics.

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Analyzes the spatial aesthetics of Chinese tourism performances, suggesting a new framework for understanding cultural content.

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DONGBEI LI (2026) studied this question.

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