Analysis of pigments in medieval manuscripts enhances preservation strategies for cultural heritage, suggesting improved restoration methods.
By examining historical recipes from the medieval treatise The Montpellier Liber Diversarum Arcium, the creation of bottle green and verdigris pigments involved various types of tempera, such as parchment glue and gum arabic. Malachite was also prepared. These references and paints were analysed using infrared spectroscopy and visible spectroscopy techniques, such as micro-Infrared Spectroscopy (microFTIR) and Fibre Optic Reflectance Spectroscopy, (FORS) over the 350–1000 nm range. This research provided new insights into the pigments used in monastic manuscripts and Books of Hours, supported by valuable data from the Soleil synchrotron. Producing historically accurate reproductions and applying spectroscopy to analyse them promotes sustainable cultural heritage preservation by maintaining ancient artefacts, detecting early signs of degradation, and enabling the development of compatible restoration materials.
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Souto et al. (2026) studied this question.
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