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There is a growing interest in cultural geography in the potential of moving imagery and moving image methodologies for grasping the more-than-human and non-representational dimensions of life. This paper explores this potential to develop moving image methodologies for witnessing and evoking human-nonhuman interactions. Drawing on recent work in film theory, anthropology and ethology, it develops both a practical methodology and a critical, affirmative vocabulary for unpacking the work done by circulating imagery and engaging with its micropolitical power and promise. This analysis is illustrated through a focus on elephants and images of their behaviours, ecologies and interactions with diverse humans. It outlines how video techniques can be used to witness and make sense of elephant encounters. It then maps and compares four of the many affective logics according to which elephants are evoked in popular moving imagery. It reflects on the techniques and the micropolitics of such evocations, before examining what they offer for new ways of engaging with nonhuman difference. Elephants provide an accessible, popular and telegenic nonhuman case study.
Jamie Lorimer (Thu,) studied this question.