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A reappraisal of modelling approaches to musical behaviour is undertaken in the light of both recent general work in cognitive modelling and a study of musicians’ responses to Webern's piano variations, op. 27. A distributed framework of rule‐based systems is proposed in which the nature of communications between and among expert modules is of primary consideration in enabling the model to respond gracefully to differing musical demands.
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Marsden et al. (1989) studied this question.
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