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This article investigates the post-editing workflow and types of edits made in the context of a real-life literary translation project. The source text is a short narrative by Brazilian author Lima Barreto. The text was first machine-translated into German by DeepL and subsequently postedited by a literary translator, using a keylogger to capture edits and intermediate versions.
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Waltraud Kolb (2023) studied this question.
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