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The article, divided into three sections, argues for the methodological power of performative writing. Part 1 borrows from the literary tradition by offering an apology on behalf of performative writing as it links the poetic and the performative. Part 2 continues the argument by structuring its claims in the form of a logical proof. Part 3 completes the case by offering a short story of how performative writing has functioned within the academy. The essay enacts the performative writing method as it calls for its use.
Ronald J. Pelias (Tue,) studied this question.