The Invisible Subject and Posthuman Ontology in the Poetry of Ahn Mirin

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Key Points

The aim is to investigate Ahn Mirin's unique depiction of invisible subjects within posthuman poetry, focusing on resilience in the posthuman era.
Analyzed Ahn Mirin's methodology of layering as a technique for transcending human-centric boundaries.
Examined the embodied metaphor of ghosts as creatures breaking down the subject-other dichotomy.
Explored the opening of bodily interiors to external data through the use of materials like 'spoon' and 'enamel'.
Identified how unhuman entities reveal a new ontological horizon beyond anthropocentrism.
Demonstrated the process of layering past losses onto the present, rather than erasure.
Validated Ahn Mirin's poetics as a humanistic response to how humans and nonhumans can coexist and recover in the Anthropocene.

Explores new resilience in posthumanism through Ahn Mirin's poetic representations of the invisible.

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Chang Min Yoo (2026) studied this question.

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