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June 20, 2026

Conceptualization of the Hegemon Discourse of the Post-Revolutionary Iran in Septembers of Shiraz: A Cognitive-Multimodal Discourse Analysis

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Authors

SNSeyed Vahid Nabavi-Zadeh NamaziMGMohammad Bagher GhahramaniZGZeinab Ghasemitari

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Overview

Randomized trial analyzes hegemon discourse representation in post-revolutionary Iran, suggesting significant portrayals in film.

Key Points

  • This study examines how the film Septembers of Shiraz represents post-revolutionary Iran through cognitive frameworks.
  • Cognitive-multimodal discourse analysis of the film Septembers of Shiraz (2015)
  • Utilized theoretical frameworks including Talmy’s force-dynamic paradigms and Laclau and Mouffe’s discourse theory
  • Analyzed micro-level cognitive tools in conjunction with macro-level semiotic systems.
  • The film uses the metaphor 'IRAN IS PRISON', highlighting a strong Antagonist vs. weak Agonist dynamic.
  • Portrays revolutionaries as irrational and dogmatic while rejecting anti-Semitism and emphasizing Jewish suffering.
  • Identifies the Islamic Revolution's signifiers as critical for understanding the hegemon discourse.

Cite This Study

Namazi et al. (2024) studied this question.

synapsesocial.com/papers/6a362f63db0793dc1a536d6fhttps://doi.org/10.22059/wsps.2025.384953.1469
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Also Consider

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