Demonstrates the emergence of aesthetics and teleology from a unified principle of reflection in Kant's philosophy, highlighting their normative aspects.
This paper examines reflective judgement as a crucial aspect of the power of judgement in Kant’s third Critique . Following Ginsborg’s normative-regulative interpretation, it demonstrates how aesthetics and teleology emerge from a single principle of reflection, which takes the form of contingent contingency, or possible lawfulness, in both. This reading establishes a parallel between common sense and the intuitive intellect, and allows one to preserve the normative dimension of Kant’s work while making Kant’s more speculative legacy continuous with it.
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Attay Kremer (2026) studied this question.
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