Explores Zhuangzi's philosophical views on experience, comparing them with Western thought and implications for understanding.
A fish, Zhuangzi observes, does not experience water as an idea. It swims in it, forgets it, and remembers only once stranded on dry land. This paper treats Zhuangzi's philosophy as working the same way for readers: not a doctrine held in mind, but a medium moved through unnoticed until some crisis strands the reader and the text is suddenly needed again. Composed amid Warring States disintegration, Zhuangzi refuses the demand that animated his rival schools: a single, final account of how things are. The paper traces that refusal across four movements: textual origins, debated skepticism read against Greek philosophy and modern physics, a comparison with five Western philosophers each a partial cousin, and a closing argument that this restlessness is the philosophy's content, performed rather than stated. This tidy abstract is exactly what Zhuangzi distrusted.
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Q. H. Vuong (2026) studied this question.
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