Abstract Walter Scott’s fiction and archive allow Victorianists to reconstruct how later domestic and infrastructural regularity became thinkable before it became routine. Rather than treating Scott as merely pre-Victorian background, this article reads Waverley (1814), The Pirate (1822), and the Abbotsford archive as records of the uneven material conditions from which Victorian energy culture emerged. Across these materials, energy remains visible as storage, bodily effort, timing, exposure, maintenance, and supply rather than appearing only in settled forms of ordinary provision. In Waverley, peat organizes habitation, atmosphere, and tactical legibility; in The Pirate, tide, labour, and whale oil bind mobility and illumination to littoral intermittence; at Abbotsford, those exposed dependencies are reorganized as managed domestic-estate provision. Read together, these materials revise Victorian energy history by showing that domestic regularity emerges through coexistence, strain, and partial coordination rather than through a clean sequence of substitution.
Zhang Xiuli (Fri,) studied this question.