Historical analysis reveals Italian designers' central role in shaping Smyrna’s coastal urban transformation across three modern eras, highlighting foreign impacts on Mediterranean port heritage.
This article examines the profound and distinct contributions of three key Italian designers—Luigi Storari, Luigi Rossetti, and Giulio Mongeri—to the architectural and urban heritage of the major port city of Smyrna (today Izmir) across the nineteenth and twentieth centuries. Contextualized within the port city’s long-standing Italo-Levantine community and the broader influx of foreign professionals during the Ottoman Tanzimat period, this study argues that these individuals were not peripheral actors but pivotal figures in terms of constructing the coastal urban environment. Fundamentally, these designers actively shaped the coastal metropolis’s transformation through three critical phases: foundational modernization, cosmopolitan identity expression, and post-war national reconstruction. The analysis begins with Storari, whose 1854–1856 cartographic plan provides the foundational blueprint for regulating the land-sea nexus, governing Smyrna’s modern infrastructure and its spatial expansion along the littoral. Then the focus shifts to Rossetti, who, in the early 1900s, introduced Italian national revivalist styles (Neo-Medieval and Neo-Renaissance/Umbertino). He thereby monumentalized the Italian community’s identity within the cosmopolitan urban fabric, designing key structures on the city’s “maritime façade” and its adjacent parallel streets. Last but not least, this study aims to scrutinize Mongeri’s complex role during the post-1922 reconstruction which covers the early Turkish Republican Era, a transition period from Ottoman Empire to the new regime. His prominent bank buildings—sited decisively on the new boulevards parallel to the sea—are analysed as masterful syntheses of European eclecticism and the new First National Architectural Movement. Mongeri thus played a pivotal role in defining the architectural language of the new republican financial centre. The study concludes that these designers’ legacies are inextricably woven into the urban and coastal heritage of Smyrna.
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Berkant et al. (2026) studied this question.
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