Binding in the Pacific: Between Loops and Knots

The paper argues that the prevailing use of the term ‘template’ in the investigation of the reproductive and generative capacity of artworks in Oceania is profoundly misleading and in need of replacing. Tracing a similar dilemma in New Genetics and Biology, the paper argues that the contemporary fascination with the knot as a model of non‐linear, topological systems enables us to look at the importance of binding in the creation of the figural in Oceanic art from a new perspective. This paper intends to open up the investigation of binding as technique and as patterned design in its distinct articulation in artifactual form across the Pacific by raising questions about the relation between the figural and the social. The material provoking the rethinking of the difference created by material articulation of the mundane, personal, and yet also profoundly mathematical technique of binding in society and culture is that ofmalangganfigurative art.