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The article focuses on the theory of landscape design put forward by Sir Geoffrey Jellicoe. Central to this is the extent to which a designed landscape can be considered a ‘work of art’. Jellicoe makes connections between landscape design and the projection of the psyche into its natural environment, and thus it seems appropriate to relate his exploration of the subconscious to Jung's ‘psychological system’. The theories of Tolstoy and Langer are also used as critical reference points for the analysis of Jellicoe's theories. Although Jellicoe's theories appear to be flawed, it is concluded that he is right to maintain that landscape architecture can produce works of art, and that his limitations as a philosopher do not diminish his design achievements.
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Ian Thompson (1995) studied this question.
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