This essay unpacks the complex emergence of video indígena, or state‐sponsored small media, at the height of official pluralism in Mexico in the early 1990s. A government video program created in a transitional institutional setting colludes with the indigenous autonomy movement‐‐‐through the work and visions of individual video makers and cultural activists‐‐‐to produce a social form and process that has gained international recognition while confronting particular challenges in indigenous communities.
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Erica Cusi Wortham (2004) studied this question.
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