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This paper explores interdisciplinarity in the production of knowledge, highlighting the fusion of theoretical reflection, contemporary painting and artificial intelligence. The exhibition TA-MERI: Terra Amada (TA-MERI: Beloved Land) served as a practical model illustrating how collaboration between Egyptologists, painters and multimedia engineers can create new forms of cultural, artistic and pedagogical communication in the twenty-first century, thereby broadening the dissemination of research and the reception of ancient Egypt.
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José das Candeias Sales (2026) studied this question.
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