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Purpose: This research study analyses Warp Yarn Printing (WYP) as an eco-friendly patterning technology appropriate for Ghanaian indigenous handlooms. It seeks to alleviate environmental degradation caused by traditional dyeing (150 L/kg of water use, toxic effluents) and overcome limitations in artisanal process design while preserving cultural authenticity. Methodology/Design: Descriptive-exploratory approach interfaced empirical with qualitative approaches. Studio-based flatbed screen printing of local cotton/polyester warps was employed and optimised using EPA-certified dyes. Aesthetics were evaluated using Likert scales in focus groups (n=25 weavers). All results were analysed using t-tests (α=0.05; n=5 batches) for traditional dyeing. Findings: WYP produced 65.1% less water, 39.8% reduced chemical load, and 54.4% reduced effluent Chemical Oxygen Demand (COD) compared to conventional dyeing (all p<0.001). Culturally, 90% of the weavers supported the process, confirming exceptional pattern accuracy (4.7/5) and cultural appropriateness (4.3/5) in focus groups. Practical and Social Implications: WYP facilitates sustainable textile production of heritage, minimising freshwater pollution to a significant degree through resource-saving. It strengthens Ghanaian weavers by adopting digital technology without compromising cultural integrity, thereby preserving traditional character. The method places indigenous weavers competitively on international ethical fashion markets, as testified by interest from brands. Originality: The study develops flatbed warp printing for indigenous handlooms, the first to meet ISO-conformant resource efficiency (65.1% water savings), artisan-co-designed cultural authenticity (90% acceptability), and SDG-compatible innovation (Goals 6,9,12) for developing craft economies, with comparative advantages over mechanised Indian and Ethiopian warp printing systems.
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Vigbedor et al. (2026) studied this question.
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