The National Landscape in Russian Film Comedies about the Village of the 1990s: ‘The Village Trilogy’ by V. Chikov

The article examines the implementation of the national rural landscape in the Russian post-perestroika comedy films about village, namely in the ‘village trilogy’ by V. Chikov. In these films, the canon of the image of a villager, as well as specific shots of rural landscapes, inherits the traditions of Russian ‘village cinema’ and everyday comedies of the 1950s — the first half of the 1980s. In the absence of stylistic and artistic experiments in Chikov’s films, the landscape is of interest as an expression of a trend in the social consciousness of the time, also being a means of social satire and criticism of the state domestic policy of that time.