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In this paper I attempt to find links between my own interest in experimental theatre and process drama. Through the theory of Jacques Rancière, particularly The Ignorant Schoolmaster, I suggest that both share a space for mutual reflection between spectator and performer, and between teacher and student. I suggest that this space is possible through the artificial space of the ‘third thing’ of art, where a hierarchical pedagogy can give way to a more processual model of learning and understanding.
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Nic Fryer (2015) studied this question.
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