The extended duration of the COVID-19 pandemic has led to a prolonged stagnation within the cultural and artistic spheres.With quarantine regulations and social distancing measures in place, numerous scheduled exhibitions and performances have faced cancellations and delays, amplifying the detriment to the culture and arts community.In response to this challenging scenario, attention has turned towards the concept of intact projects.This paper seeks to delve into the analysis of various intact projects undertaken by both domestic and international cultural and artistic institutions.In particular, it aims to scrutinize the cases, current status, and impact of these initiatives.Focusing on Studio Mon, a dedicated studio associated with the National Museum of Korea, amidst the challenges posed by the COVID-19 pandemic will be a primary focal point of this analysis.Furthermore, the paper explores the innovative strategies employed by cultural and artistic institutions to adapt to the evolving circumstances including the utilization of digital platforms, virtual exhibitions, and online performances.
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Woo-Hyuck Jung (2023) studied this question.
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