Atirohecho dispara contra las tensiones de los feminismos. Un teatre ingovernable des de la periferia

This article focuses on the study of the theater company Atirohecho, directed by cultural activist Carla Chillida and composed mainly of actresses Margalida Mateos, Yarima Osuna, and Paula Romero. The company is subject to a series of constraints that relegate it to the margins: among others, the presence of women in its decision-making spaces, its location on the national periphery (Valencia and, more specifically, the city's working-class neighborhoods), the use of language for writing most of its plays, and its direct links to the anti-capitalist social movements of the Valencian Country. We therefore start from its initial coordinates to observe a central element in its production: the way in which it articulates the latent conflicts in the various feminisms through theatrical tools. We refer, in particular, to sexual violence, the use of armed force, abortion, class consciousness, memory, and sex work, which appear in works such as El mercado es más libre que tú (2015), La Sección (2017), Les Solidàries (2018), Tot explota (2019), and Ingovernables (2019).