My hands. My Mother’s by Adela Bravo Sauras, artistic director of the architectural-theatrical collective NoFourthWall, is configured as an immersive theatrical device that takes as its point of departure the memory of the playwright’s deceased mother. This article aims to unpack and analyze the theatrical elements of mourning, remembrance, and healing. Throughout this experience, the spectator relinquishes their hegemonic position as a detached observer a guest within a home, a participant in a ritual and a visitor in a museum.
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Marta Santiago Romero (2026) studied this question.
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