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This paper proposes a new interpretative framework for Boethius’ theory of modality in the Consolation of Philosophy, centred on the concept of motion. I argue that motion functions as a conceptual primitive in Boethius’ modal metaphysics, underpinning his accounts of necessity, contingency, fate, and freedom. Rather than treating modal notions primarily as logical or propositional categories, Boethius articulates them through a rich kinetic vocabulary that structures both the cosmos and the movements of the human soul. The paper identifies and analyses seven fundamental kinetic configurations operative in the Consolatio – including absolute immobility, irregular motion, circular motion, centripetal movement, centrifugal movement, ascent, and descent – and shows how each corresponds to a distinct modal configuration. Methodologically, the analysis treats the Consolatio as a unified philosophical work in which prose and metrical sections jointly contribute to conceptual argumentation. By reconstructing Boethius’ modal concepts through this hierarchy of motions, the paper offers a unified reading of the Consolatio that integrates its metaphysical, theological, and psychological dimensions. This kinetic approach clarifies Boethius’ rejection of chance understood as physical indeterminacy, while preserving a robust notion of contingency and freedom, and sheds new light on longstanding debates concerning determinism and compatibilism in the Consolatio.
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Irene Binini (2026) studied this question.
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